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Tom Simons, aka TommyInnit, is a 20 year old British YouTuber and Twitch Streamer with over 50 million subscribers across all platforms.

A multi-faceted entertainer with a talent for storytelling, Tom is a gamer, writer, performer and stand-up comedian.

At the age of just 17, he surpassed one billion views on YouTube, as well as breaking two Guinness World Records for the most followed Minecraft channel on Twitch and the most-watched Minecraft stream.

In 2023, Tom toured the UK with his ?rst theatre show ‘Annoying at First’, selling out The London Apollo with his entertaining blend of musical storytelling, zany comedy, and heartwarming autobiography about his life so far. 2024 saw an extended version of the live show, ‘TommyInnit: How to be a Billionaire’, go on tour across America to great acclaim as well as signi?cant developments in Tom’s presenting and stand up comedy careers.

Tom’s ?rst book ‘TommyInnit Says: The Quote Book’, published by Quercus, was an Amazon and Sunday Times best-seller.

Beyond commercial achievements, Tom has won the hearts of his audience through his relatable personality and his championing of the underdog. He has nurtured a thriving, loyal and accepting online community with a fanbase that has grown with him and is ultimately at the heart of everything Tom creates.

Tom is a dedicated ambassador for Sarcoma UK, pledging his support to the charity after the passing of his friend and fellow YouTuber, Technoblade.

Dirtwire stands poised between ancient Mother Earth and modern technology, a blend of ethnomusicology and the psychedelic trance state, gut-bucket delta blues and what the band variously dubs “back-porch space cowboy blues, swamptronica, and electro-twang.” It’s a sound informed by Dirtwire’s travels and performances around the globe, where East meets West and North joins South. From the favelas in Brazil, Femi Kuti’s Shrine in Lagos, Tokyo’s bluegrass clubs, Ayahuasca ceremonies in Central America, Gamelan performances in Bali, desert festivals in the Australian Outback, and the 20th anniversary of Kazakhstan’s modernized new capital Astana, the band spreads its message by building bridges across musical cultures in their own unique way.

Dirtwire plays an array of instruments both ancient and modern, including West African kamale ngonis, jaw harps, space fiddles, whamola basses, Rickenbacher electric 12 string guitars, bowed Banjos and mouth harps from around the globe, all interwoven into modern laptop beat creation. Hailing from the underground west coast electronic bass music scene Dirtwire finds itself at the forefront of experimental electronic music production mixing in their wide array of world instruments with sampled beats and 808’s. Dirtwire’s live shows are a communal psychedelic journey, ranging from down home boot stomping get downs, to bass and blues electronic mashups, to ethereal cinematic beat driven soundscapes. Woven into each is the exploration of where live instruments meet computer production, and where tradition meets experimentation.

Get ready for a science lesson that feels like a party!

Brains On, the wildly popular podcast for kids, is hitting the road with a science-themed show that takes the audience on an adventure through our brains. Hosts Molly Bloom, Marc Sanchez and Sanden Totten will be there with magic tricks, dance moves, out-of-body experiences, mystery sounds, and even a game show! All the while, kids (and their parents) learn how our brains take a handful of signals from the eyes and ears and turn them into a vibrant picture of the world.

About the podcast:
Brains On! is an award-winning audio show for kids and families. Each week, a different kid co-host joins Molly Bloom to find answers to fascinating questions about the world. Our mission is to encourage kids’ natural curiosity and wonder using science and history…but there’s no age limit on curiosity and episodes of Brains On can be enjoyed by anyone. Brains On Universe annual downloads: 26 million.

Silversun Pickups’ sixth album Physical Thrills came together as a serendipitous accident during a dark time. The LA band began 2020 by touring in support of their record released the previous year, Widow’s Weeds. But the pandemic halted those plans, with the members including guitarist and singer Brian Aubert, bassist Nikki Monninger, drummer Christopher Guanlao, and keyboardist Joe Lester, finding themselves stuck at home. In that resting period, Aubert wasn’t focused on Silversun Pickups; instead, he channeled his energy into taking care of his son, Nico, while his wife Tracy worked.

But as much as his focus initially shifted from the band, he couldn’t escape the new melodies germinating in his head. “I would sneak off and start writing these songs, and I didn’t know what they’re for because I didn’t really think about Silversun on any level. I was just doing it to keep myself calm and keep myself company,” says Aubert. The songs were so different from what he’d previously written for Silversun Pickups that he initially thought he was writing a musical. There were “dream shanties,” gentler vocals, horror-inspired sounds, and other exciting new elements coming to mind.

The band finally was able to gather in person for a live-streamed acoustic performance on Halloween for The Dark Zone Network’s virtual music festival Queen Mary, and it was there that Aubert revealed the new material to his bandmates. They readily embraced the new direction—and so did producer Butch Vig. The band reunited with Vig, who first worked with Silversun Pickups on Widow’s Weeds, recording the record at the famed producer and Garbage member’s home.

Take the trail out of Perth via Leederville and keep on driving, and you might just stumble across an old horse shed – one where weirdness roams free. Across the bridge from said shed, house parties rage until the early hours and beyond, while around the corner there’s a sky-high pile of trash that acts as a makeshift home for the local rat population. It’s here, amongst jam sessions that would last six-hours plus, that the wacky, sprawling sound of Psychedelic Porn Crumpets was born.

“It had a tin roof, so it was really nice when it rained,” reveals the band’s frontman and ringleader Jack McEwan – an idyllic image that’s quickly scrawled over when he recounts a tale of said roof tearing off in the wind one night. “I used to have to wake up at 3am and spray myself with bug spray,” he adds with a shrug. Composing songs on an old, out-of-tune piano, and hooking up projectors to their amps to beam warped imagery around the clapped-out barn, their wonky approach to music-making took root amongst the hay. “We got too many noise complaints,” he admits, revealing that they’ve since decamped to a seaside home where they can make as much racket as they please. “It got into fine territory, but I don’t think we ever paid one, so it’s fine.”

Originally formed as a uni course solo project for McEwan, who moved to the barn while “trying to live the bohemian life… until I ran out of internet”, Psychedelic Porn Crumpets’ night-long jam sessions and unconventional abodes are just the tip of their iceberg of happy accidents. He and fellow bandmate and guitarist Luke Parish met through a “local courier”, while their upcoming record ‘High Visceral’ – a riotous stomp of psych-rock escapism – was inspired by the most unlikely of situations: their time as tradies, working on building sites. The two then teamed up with Danny Caddy & Luke Reynolds, completing the line-up.

“Hi Friends – We are so happy to announce our return to America! This tour marks our first visit since 2019.

Many things have changed since those days, but the fundamental essence of love and peace remain.

We are returning to share the healing power of the ancient Sanskrit prayers that have supported us for so long. In these extraordinary times, our prayers are so much needed”.

“We’ll be sharing the transformative experience of a community in full voice, singing in sacred, harmonic sound, connecting deeply with the heart of Mantra and songs of the spirit – this is our intention; to celebrate the art of meditation, music and soul-connection, and we’re thrilled to be back with our American friends, once again”.

Don’t miss this rare opportunity to experience the transcendent sound of Deva Premal & Miten live.

The Wooten brothers’ first public performance occurred in Hawaii in 1966 and established their identity as prodigies. Regi, the eldest son of Elijah “Pete” and Dorothy, was born in 1956. The first three sons arrived just a year apart—Roy in ’57, Rudy in ’58. Joseph was born in ’61, and three years later, in ’64, Victor came. Victor learned to talk and play music at the same time.

Fast forward six years.
REGI, still the leader of the family band, is 13 years old and Victor, the youngest, is 5, when the Wooten Brothers began opening a series of shows for R & B legends, “War”, and two years later for Curtis Mayfield, and many other national acts.

Fast forward to the present, 2024.
The Wootens have racked up 10 Grammy wins, and 26, yes, 26 Grammy nominations. And the youngest of the family, Victor, the brother who learned from all his older brothers, has been named by Rolling Stone Magazine as one of the ten greatest bass players of all time.

Acclaim has come to each Wooten brother.
REGI is a virtuoso guitarist, also renowned for his musical teaching skills. At the tender age of ten, Regi began teaching bass to his two year old brother Victor, while also teaching keyboard skills to his five year old brother, Joseph. Now, Regi teaches many students who travel from all over the world in various genres of music to learn from him. Regi is affectionately called “The Teacha”, and he, similar to the legendary teacher Nadia Boulanger, is a teacher to a global family.

Ziggy Alberts is no stranger to success, having built a dedicated global following through a combination of steadfast touring, captivating songwriting, and an independent ethos that has seen him thrive without the backing of a major label. An artist who has mastered the acoustic charm of busking and intimate venues to the electrifying energy of sold-out world stages – all as a solo act – Alberts is now entering a new phase of his artistic journey with his seventh studio album, ‘New Love’, set for release in February 2025.

From his early days busking on the streets of Byron Bay, Alberts has understood the power of direct connection with his audience. His rise has been driven not only by his emotionally resonant folk songs but by his determination to bring his music directly to fans. Now a decade into his career, he’s grown his fanbase the old-fashioned way: by playing show after show, year after year, turning small rooms into sold-out venues across the globe.

In 2024, as part of his New Love World Tour, he has delivered standout performances, including headline sets at Bluesfest Byron Bay and co-headlining Australia’s SummerSalt tour with Matt Corby and James Bay. His tour has taken him across Europe, the UK, North America, Indonesia, and even into new territories like Mexico and Japan. This momentum follows his 2023 Rewind World Tour, where he performed for over 110,000 people and sold out iconic venues like London’s Eventim Apollo.

Bearing witness to the accelerating negativity of global affairs, British reggae powerhouse Steel Pulse exemplify musical vengeance to halt the disarray of humanity. The band’s twelfth studio production, titled Mass Manipulation, reflects four decades committed to bettering mankind through music. Steel Pulse songs and lyrics continue to engage controversial topics of racial injustice and human rights on a global scale. Themes are as potent and relevant today as they were at the beginning of their career. Hailing from Birmingham, England, Steel Pulse emerged in 1975 with music that provokes thought toward global unification. Songs like “Chant a Psalm” have landed on Rolling Stone’s Top 200 Best Songs list of the 1980s, and the six-time Grammy nominated group won the Grammy Award for Best Reggae Album for Babylon the Bandit. Lead singer and guitarist, David Hinds’ creativity, human persona, and visionary views are revealed through inspiring compositions that capture the effects of the African Diaspora. As reggae revolutionaries, Steel Pulse is revered by the younger generation of artists and remains a powerhouse on stages around the globe. Through the example of Mass Manipulation, Steel Pulse demonstrates the endless possibilities that come from breaking down the walls of systemic greed and nurturing the fellowship of mankind.

Composer and performer Zoe? Keating has spent the last 20 years exploring the landscape of sounds a string instrument can make. She coaxes sounds out of the very edges of her cello, adeptly layering them into “swoon inducing” (San Francisco Weekly) music that is unclassifiable yet “a distinctive mix of old and new” (National Public Radio). She is known for her use of technology – which she uses to record and sample her cello onstage and in the studio – and for her DIY approach – composing, recording and producing her works without the help of a record label.

Born in Canada, Keating started playing the cello when she was eight and went on to pursue electronic music and contemporary composition as part of her Liberal Arts studies at Sarah Lawrence College. After graduation she moved to San Francisco and built a career as an information architect and data analyst while moonlighting as a cellist in rock bands. Keating eventually combined her love of music and technology, using a computer to live-layer her cello and performing for late-night parties in the San Francisco warehouse in which she lived. Keating’s recorded works have achieved a surprising degree of popular ubiquity for a DIY artist. Her self-produced albums have several times reached #1 on the iTunes classical charts and spent many months on the Billboard classical charts. Her recordings are used as bumper music for NPR’s Morning Edition, as the theme music to OnBeing, as the thinking- music of the Sherlock Holmes character on CBS Elementary, in HBO’s hit drama White Lotus, in countless documentaries and in tens of thousands of online videos of everything from professional and amateur dance performances to rock climbing and gaming videos.

If Los Angeles had a soundtrack, it would be Ozomatli. Since 1995, the multi-genre, six-piece band has blended Latin, hip-hop, funk, reggae, and global influences into an unmistakable sound that captures the city’s energy and diversity. Emerging from LA’s politically charged streets, Ozomatli has spent 30 years uniting communities through music, earning three GRAMMY® Awards, performing at the Hollywood Bowl, and touring worldwide—from Burma to Mongolia. Their socially conscious lyrics and infectious grooves have made them a beacon of unity, resilience, and celebration. As they embark on their fourth decade, Ozomatli remains a living testament to the past, present, and future of Los Angeles—continuing to inspire and move hearts, minds, and dance floors across the globe.

April, 2025, marks the 32 year anniversary of Big Bad Voodoo Daddy’s remarkable arrival onto the music scene. Since its formation in the early nineties in Ventura, California, the band has toured virtually nonstop, performing on average over 150 shows a year, and has produced a sizable catalog of recorded music, with sales of over 2 million albums to date. Early on, during their legendary residency at the Derby nightclub in Los Angeles, they reminded the world, in the midst of the grunge era no less, that it was still cool to swing. The band, co-founded by singer Scotty Morris and drummer Kurt Sodergren, was at the forefront of the swing revival of that time, blending a vibrant fusion of the classic American sounds of jazz, swing, and dixieland, with the energy and spirit of contemporary culture.