FD: Have you been involved with the Mile High Horror Festival before? What’s special about this experience for you?
JT: I have been involved every year but one. Tim Schultz (event founder) is such a great guy. He has turned this into a bigger thing every year. It supports indie filmmakers while celebrating those who inspired them. It is a wonderful, enriching and exciting four-day experience.
FD: Is horror it for you? Or would you like to spread your wings into other types of roles; comedy, drama, historical docu-fiction?
JT: I am not genre-specific. I did an ABC after school special in 1987 that won an Emmy (Seasonal Differences). I played a high school student who was protesting a nativity scene on public school property. I have done Shakespeare. I have done standup comedy — once. Point of fact, my solo acoustic show has a little of that in it. I might try it again one day. I have done voice over work. As long as it is creative, I am in. I love the idea of historical docu-fiction because I am a wonk. Comedy is a no brainer for me. Ken Foree dubbed me “The Funniest Man in Horror.” That is good because before that I was just the “Shortest Man in Horror.”
FD: Why do you choose to stay in Colorado as opposed to heading to a more actor/musician-focused market like L.A. or New York?
JT: The short answer is that my family is here. Without my wife and son none of this stuff would matter. Just last evening I was talking with a Hollywood executive. We have entered into a partnership to produce together. It is hard to get him to pull the trigger on something while I am out here. We are working out some kind of arrangement where I spend about one week a month in LA. This should be a scheduling situation akin to the flight of The Hindenburg. I see producing as the next logical step for me. It might be horror but it could be anything (probably not porn. I am a little prudish). “The future’s made of Virtual Insanity.” Why do I keep quoting other songwriters?
FD: Who’s on your iPod (or other personal music listening device) these days?
JT:
“Movies” – Hothouse Flowers
“Old England” – The Waterboys
“Celebration Day” – Led Zeppelin
“CSN 2012” – Crosby, Stills and Nash
“The Four Seasons” – Antonio Vivaldi
“Casimir Pulaski Day”” – Sufjan Stephens
FD: What else is in the works for you?
JT: As I mentioned, I am working with a couple of producers in Hollywood. One is Brian Witten who produced The Wedding Singer, American History X and has recently been working with Oren Peli (Paranormal Activity). I will be reading a lot of scripts! Kris Hulbert (The Perfect House) is working on a new feature called Just Drive that I am consulting on. He is also planning a prequel to The Perfect House that will focus on how John Doesy ended up becoming a killer. It is to be called ‘The Perfect House: Origins (The John Doesy Story). I did a film called Redemption with George Loros (The Sopranos) and that should be out this year. I play a pimp named Manuel Estefan. Next month I am headed to New Orleans. I am going to play a solo acoustic show at Café Istanbul and then I am a celebrity judge at The New Orleans Horror Film Festival. Mile High is the following weekend. On November 1, I am playing a Halloween show with special guests at The Guitar Academy in Fort Collins.
Also in November Fangoria is doing a huge spread for the 30th anniversary of Sleepaway Camp. Oh and I almost forgot. I did a remake of the Grammy Hall of Fame song “Love is Strange” for the new Plan 9 movie (based on Ed Wood’s classic). I am hoping for a national release. For more, you can always check out Jonathantiersten.com.
Meet Jonathan Tiersten at the Mile High Horror Film Festival, Oct. 3 – 6, at the Alamo Drafthouse, 7301 S Santa Fe Dr., Unit #850, Littleton. For tickets and more information: www.milehighhorrorfestival.com.